Graphical flourishes are sprinkled like confetti: volumetric fog curls in the canyons at dawn, smog layers tilt the city’s palette toward amber at dusk, and neon reflections smear across wet asphalt in ways that look stolen from late-night noir. Sunrises have hard edges; sunsets bleed richer colors into the smog. The night becomes a deliberate, dangerous thing—beautiful, yes, but with depth that consumes.