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In the early days of cinema, romantic storylines were often idealized and sanitized, presenting a picture-perfect vision of love. Movies like Casablanca (1942) and Roman Holiday (1953) epitomized the romantic comedy genre, with dashing heroes, beautiful heroines, and a focus on grand gestures. These films often relied on tropes like love at first sight, sweeping declarations of devotion, and the triumph of true love over adversity.